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Bi Erasure in Film and television: the issue of Representing Bisexual People On Screen

Bi Erasure in Film and television: the issue of Representing Bisexual People On Screen

This guest post compiled by Amy Davis seems as an element of our theme on Bisexual Representation week. Good and complex representations of bisexual and pansexual figures on display are incredibly few and far between that film experts talking about representation that is bisexual usually kept lamenting our erasure, or from the uncommon occasions our company is represented our stereotyping and demonization.

Into the 100 top grossing domestic films in the U.S. in 2015, away from 4,370 characters (speaking or named), just 32 figures or .7% had been LGBT, and just 5 of the figures had been bisexual, based on USC Annenberg. Relating to GLAAD, 4% of regular figures on primetime broadcast tv series are LGBT characters. For the 271 LGBT characters (regular and recurring) on primetime, cable, and streaming tv show, 76 or 28% are bisexual. In accordance with Stonewall’s report in the representation of LGB individuals (unfortunately they didn’t add data on trans characters) on tv show watched by young adults when you look at the U.K., in over 126 hours of development, bisexual individuals were portrayed just for five full minutes and 9 moments, in comparison to 4 hours and 24 moments for homosexual guys, and 42 moments for lesbian females.

Once we do show up on display screen, bisexuality is frequently utilized to point hypersexuality, such as for example Bo from Lost woman and physician Frank N Furter through the Rocky Horror Picture Show. At its many extreme depictions of reinforcing biphobic tropes, the character’s bisexuality is additionally utilized to code “evil” or “dangerous” or “murderous,” using their (hyper)sexuality as a way of manipulation live gay sex and control, for example Sharon Stone’s character when you look at the erotic thriller fundamental Instinct.